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still lifes

 Subject
Subject Source: Art & Architecture Thesaurus
Scope Note: Images in which the focus is a depiction of inanimate objects, as distinguished from art in which such objects are subsidiary elements in a composition.The term is generally applied to depictions of fruit, flowers, meat or dead game, vessels, eating utensils, and other objects, including skulls, candles, and hourglasses, typically arranged on a table. Such images were known since the time of ancient Greece and Rome; however, the subject was exploited by some 16th-century Italian painters, and was highly developed in 17th-century Dutch painting, where the qualities of form, color, texture, and composition were valued, and the images were intended to relay allegorical messages. The subject is generally seen in oil paintings, though it can also be found in mosaics, watercolors, prints, collages, and photographs. The term originally included paintings in which the focus was on living animals at rest, although such depictions would now be called "animal paintings."

Found in 1 Collection or Record:

Harnett and His Followers, September 1-November 21, 1948

 Sub-Series
Abstract

An exhibition comparing the recently-acquired painting “After the Hunt” by Irish-born American artist William Michael Harnett with eight adaptations of the work by other artists, arranged by Alfred Frankenstein, an art critic for the San Francisco Chronicle. The exhibition records span four folders plus a catalog, clippings, and photographs.

Dates: September 1-November 21, 1948