Box 1 - Achenbach Foundation for Graphic Arts Exhibition Photographs

Scope and Contents From the Sub-Series:

From the Achenbach Foundation for Graphic Arts collection, an exhibition of prints examining the development of costume design and fashion trends over several centuries.
The exhibition records span four folders and include an exhibition description, didactic information, and an additional folder of material related to the circulation of the exhibition. Installation photograph prints are in the photograph collection.

Scope and Contents From the Sub-Series:

From the Achenbach Foundation for Graphic Arts collection, an exhibition of religious prints of Christianity by Old Master artists.
The exhibition records span one folder of didactic information. Installation photograph prints are in the photograph collection.

Scope and Contents From the Sub-Series:

From the Achenbach Foundation for Graphic Arts, an exhibition of engravings by nineteenth century Mexican political artist Jose Guadalupe Posada.
The exhibition records span 11 folders and include didactic information, planning correspondence, registration receipts, and an additional eight folders of material related to the circulation of the exhibition. Installation photograph negatives are in the photograph collection.

Scope and Contents From the Sub-Series:

From the Achenbach Foundation for Graphic Arts, an exhibition of prints from the famous “Prisons and Views of Rome” series by eighteenth century Italian artist Giovanni Battista Piranesi.
The exhibition records span three folders and include an exhibition description, didactic information, and registration receipts. Installation photograph prints and negatives are in the photograph collection.

Scope and Contents From the Sub-Series: From the Achenbach Foundation for Graphic Arts, an exhibition surveying the development of printmaking by American artists during the turn from the nineteenth to twentieth centuries, 1860 to 1912.The exhibition records span four folders and include an exhibition description stored in folder 1 of the exhibition records for Prints and Watercolors by Reginald Marsh (1954), plus didactic information and an additional two folders of material related to the circulation of the exhibition....

Scope and Contents From the Sub-Series:

From the Achenbach Foundation for Graphic Arts, an exhibition of intaglio, relief, planographic, and serigraph prints surveying modern trends in printmaking by contemporary artists.
The exhibition records span four folders and include an exhibition description, didactic information, lender correspondence, and registration receipts. Installation photograph negatives are in the photograph collection.

Scope and Contents From the Sub-Series: An exhibition of Christian religious prints by contemporary European and American artists lent from the collection of Ross W. Sloniker of Cincinnati, Ohio. Arranged by the Achenbach Foundation for Graphic Arts. This was the first time the Achenbach displayed artworks from another collection and did not include any of its own.The exhibition records span seven folders and include an exhibition description, press release, object list, didactic information, planning correspondence,...

Scope and Contents From the Sub-Series: From the Achenbach Foundation for Graphic Arts, an exhibition of self-portraits and portraits of other artists by European and American artists from the sixteenth to twentieth centuries, including etchings, engravings, lithographs, and drawings. The exhibition records span four folders and include an exhibition description in folder 1 of The Animal World in Prints (1954), didactic information, general correspondence, and registration receipts. Installation photograph prints and...

Scope and Contents From the Sub-Series: From the Achenbach Foundation for Graphic Arts, an exhibition of surveying Christian religious prints by artists of the fifteenth to twentieth centuries, spanning Old Masters like Albrecht Durer to Modern artists like Salvador Dali. Shown at the San Francisco Public Library.The exhibition records span five folders and include an exhibition description in folder 1 of Contemporary Religious Prints from the Ross W. Sloniker Collection (1954), plus an object list, didactic information,...

Scope and Contents From the Sub-Series: From the Achenbach Foundation for Graphic Arts, an exhibition of 40 “cliches-verre” (glass prints) by nineteenth century French artists of the Barbizon school. Cliches-verre was a rare printmaking method that resulted from an experiment between Jean Baptiste Camille Corot and photographer Eugène Cuvelier in 1853.The exhibition records span three folders and include an exhibition description, press release, didactic information, and registration receipts, plus object and installation...