Exhibition of Murals by American Painters and Photographers Assembled by the Museum of Modern Art, New York City, February 11-March 26, 1933
Scope and Contents
An exhibition of murals by 65 American painters and photographers commissioned by the Museum of Modern Art to create three-part studies on the topic “The Post-War World.” The works were intended to showcase their skills as artists and one of the three was to be carried to a full panel composition.
The exhibition records span three folders and include planning correspondence, a draft itinerary, and shipping information. A copy of the catalog is in the catalog collection and a clipping from the New York Times is in the clipping collection.
Dates
- Creation: February 11-March 26, 1933
Creator
- Museum of Modern Art (established 1929) (Arranger, Organization)
Conditions Governing Access
The price list must be redacted before viewing.
Biographical / Historical
This exhibition represented the short-lived 1930s American mural movement. The catalog mentioned three inspirations: by the achievements of Mexican muralists like Diego Rivera, recent controversies and current opportunities for artists to create murals as in the Federal Art Project, and American interest in mural decoration that had very recently increased as a result of the accomplishments of muralists in the 1920s.
Mural painting is inherently different from all other forms of pictorial art in that it is organically connected with architecture. The use of color, design, and thematic treatment can radically alter the sensation of spatial proportions of the building. In this sense, mural is the only form of painting that is truly three-dimensional, since it modifies and partakes of a given space.
Since antiquity, mural paintings have been present and important to art. In the 19th century, mural painting was hardly advanced, but murals reemerged in the 20th century in three major phases. First, abstract and expressionist forms stemmed from experimental easel painting of the Cubist and Fauvist groups in Paris. The second phase developed out of the revolutionary movement in Mexico with the remarkable series of frescoes by José Clemente Orozco, Diego Rivera, David Alfaro Siqueiros, and Rufino Tamayo. With the ensuing acceptance of 20th-century concepts of design and structure in architecture, the new large-scale use of mosaics became a distinctive feature. The third phase was the movement that inspired this 1933 exhibition at the Legion of Honor. A short-lived American mural movement in the 1930s developed under U.S. federal sponsorship through the Works Progress Administration’s Federal Art Project. Hundreds of American artists were commissioned by the U.S. government to create public murals across the country, intended to provide work for artists during the Great Depression. This exhibition was meant to provide a platform for artists to get these commissions.
Source: https://www.britannica.com/art/mural-painting
Extent
0.2 Linear Feet (The exhibition records span three folders plus a copy of the catalog and clipping.)
Language of Materials
From the Collection: English
Abstract
An exhibition of murals by 65 American painters and photographers commissioned by the Museum of Modern Art. The exhibition records span three folders plus a copy of the catalog and clipping.
Arrangement
The materials are separated by content and type and organized chronologically.
Separated Materials
The exhibition catalog is housed within the Legion of Honor Exhibition Catalog collection in box 3.
The clippings are housed within the Legion of Honor Exhibition Clippings collection in box 1.
Cultural context
Occupation
Temporal
Topical
Repository Details
Part of the Fine Arts Museums of San Francisco Archives Repository
50 Hagiwara Tea Garden Dr
San Francisco California 94118 USA