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One Hundred Years of Portrait Photography, Circulated by the Museum of Modern Art, February 9-March 2, 1945

 Sub-Series

Scope and Contents

An exhibition of 42 photographs tracing the development of portraits over the previous hundred years, including works by photography’s most famous artists. The exhibition was arranged and circulated by the Museum of Modern Art, New York.
The exhibition records span five folders and include an exhibition description, exhibition description, planning correspondence, shipping information, and registration receipts. Clippings are in the clipping collection.

Dates

  • Creation: February 9-March 2, 1945

Creator

Conditions Governing Access

The price list must be redacted before viewing.

Biographical / Historical

The history of photography began with the discovery of two critical principles: camera obscura image projection and the observation that some substances are visibly altered by exposure to light. There are no artifacts or descriptions that indicate any attempt to capture images with light sensitive materials prior to the 18th century.

Around 1717, Johann Heinrich Schulze captured cut-out letters on a bottle of a light-sensitive slurry, but he apparently never thought of making the results durable. Around 1800, Thomas Wedgwood made the first reliably documented, although unsuccessful attempt at capturing camera images in permanent form. His experiments did produce detailed photograms, but Wedgwood and his associate Humphry Davy found no way to fix these images.

In 1826, Nicéphore Niépce first managed to fix an image that was captured with a camera, but at least eight hours or even several days of exposure in the camera were required and the earliest results were very crude. Niépce's associate Louis Daguerre went on to develop the daguerreotype process, the first publicly announced and commercially viable photographic process. The daguerreotype required only minutes of exposure in the camera, and produced clear, finely detailed results. The details were introduced to the world in 1839, a date generally accepted as the birth year of practical photography. The metal-based daguerreotype process soon had some competition from the paper-based calotype negative and salt print processes invented by William Henry Fox Talbot and demonstrated in 1839 soon after news about the daguerreotype reached Talbot. Subsequent innovations made photography easier and more versatile. New materials reduced the required camera exposure time from minutes to seconds, and eventually to a small fraction of a second; new photographic media were more economical, sensitive or convenient. Since the 1850s, the collodion process with its glass-based photographic plates combined the high quality known from the Daguerreotype with the multiple print options known from the calotype and was commonly used for decades. Roll films popularized casual use by amateurs. In the mid-20th century, developments made it possible for amateurs to take pictures in natural color as well as in black-and-white.

The commercial introduction of computer-based electronic digital cameras in the 1990s soon revolutionized photography. During the first decade of the 21st century, traditional film-based photochemical methods were increasingly marginalized as the practical advantages of the new technology became widely appreciated and the image quality of moderately priced digital cameras was continually improved. Especially since cameras became a standard feature on smartphones, taking pictures (and instantly publishing them online) has become a ubiquitous everyday practice around the world.

Source: https://en.wikipedia.org/wiki/History_of_photography

Extent

0.1 Linear Feet (The exhibition records span five folders plus clippings. )

Language of Materials

From the Collection: English

Abstract

An exhibition of 42 photographs tracing the development of portraits over the previous hundred years, arranged and circulated by the Museum of Modern Art, New York. The exhibition records span five folders plus clippings.

Arrangement

The materials are separated by content and type and organized chronologically.

Related Exhibitions

Legion of Honor: Fifth International Exhibition of Pictorial Photography (1928)
de Young: Photographs by Edward Weston (1931 & 1968)
de Young: Old Photographs of Paris by Eugene Atget (1931)
de Young: Photographs by Ansel Easton Adams (1932)
de Young: Photographs by Edward Steichen (1932)
de Young: Yosemite in Four Seasons: Photographs by Ansel Adams (1935)
Legion of Honor: Action Photography, Circulated by the Museum of Modern Art (1943)
Legion of Honor: Photographs by Lisette Model (1946)
Legion of Honor: Photographs by Cartier-Bresson (1948)
Legion of Honor: Early Photographers: Atget, Brady, and Genthe (1951)
de Young: Charles Sheeler Retrospective (1955)
de Young: The World of Cartier-Bresson (1957)
Legion of Honor: The Family Man (1957)
de Young: The Eloquent Light: Photographs by Ansel Adams (1963)
Legion of Honor: The Color of Mood: American Tonalism, 1880-1910 (1972)
Legion of Honor: Marie Cosindas: Color Polaroid Photography (1980)
de Young: Ansel Adams: One with Beauty (1987)
de Young: Executive Order 9066 (1972)
de Young: Early American Photography: The First 50 Years (1990)
de Young: 19th-Century Photography from the Achenbach Foundation for Graphic Arts (1992)
de Young: Personal Perspectives: Aspects of American Photography (2006)
de Young: Personal Perspectives: Aspects of European Photography (2006)
de Young: Charles Sheeler: Across Media (2007)
Legion of Honor: Man Ray/Lee Miller, Partners in Surrealism (2012)
de Young: Ansel Adams In Our Time (2023)

Subject

Repository Details

Part of the Fine Arts Museums of San Francisco Archives Repository

Contact:
50 Hagiwara Tea Garden Dr
San Francisco California 94118 USA